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Here's the story and review of much-awaited and controversial Padmaavat...

*Spoiler alert*



Story

Ratan Singh, a brave and moral king comes in search of rare pearls and takes back the most beautiful and priceless pearl named Padmavati from Sinhala to Mewar.
Padmavati's arrival added more beauty and strength to the Fortress of Chittor.

On the other side, Delhi's throne is seized by Jalaluddin Khilji.
His son-in-law Alauddin Khilji captured the throne by killing Jalaluddin, and became one of the strongest rulers in the history.

One day, The Royal priest of Mewar was punished for his unforgiving act and was sent off the country, as per the order of Padmavati.

The Royal priest went to Alauddin and hinted that if he captures Padmavati, then he can capture anything he wish, even the world.

Alauddin plans to invite Padmavati and Ratan Singh to Delhi, but his invitation was rejected by Ratan Singh. Immediately, Alauddin declared war on Rajputs.

Alauddin couldn't able to win the war, as his army was stalled by the attacking defense of Rajputs.

Alauddin proposed Peace and was allowed to meet Ratan Singh. Alauddin asks Ratan Singh to show his beloved Padmavati to him. Ratan Singh's anger arose and warns Alauddin. Then, he was allowed to see Padmavati, holding the burning Dhoop in her hand, the smoke of Dhoop covered her face and Alauddin couldn't see the face clearly.

This act infuriated Alauddin and he captured Ratan Singh with his cunning mind.
Alauddin asks Padmavati to come to Delhi, so that, Ratan Singh will be freed. Padmavati sends her terms and conditions to Alauddin, before she comes to Delhi. Alauddin accepted her terms.

As per the terms, Padmavati begins her journey with 800 women for her support to Delhi.
When she reached Delhi, she asks to free Ratan Singh first, before meeting Alauddin.
Ratan Singh was set free and Mehrunisa, wife of Alauddin helps Ratan Singh and Padmavati to escape from Delhi through a secret passage. Before escaping, Ratan Singh went to wounded Alauddin and smiled triumphantly.

Meanwhile, the 800 women revealed themselves as Rajput warriors (disguise), fought bravely with Khilji warriors and died.

Padmavati was praised by Rajputs for her determination, that brought Ratan Singh to Mewar.

Alauddin imprisoned Mehrunisa and marched towards Mewar to wage a war against Rajputs, where Ratan Singh and Alauddin involved in a Duel. During the fight, Malik Kafur, a loyal slave of Alauddin Khilji hits Ratan Singh with his arrows on the back.

Ratan Singh falls to death and Alauddin raids the Chittor Fortress to capture Padmavati. Padmavati asks every woman to go into the fire to save themselves from Khilji warriors. Finally, Padmavati and the Rajput women gave themselves to the fire.

A man who captured worlds, couldn't capture a woman.

And, that woman becomes, Goddess Padmavati!



Review
  • Sanjay Leela Bhansali has managed to pull off a magnum opus. His direction and music were the highlights of the movie. But, the slow-paced first-half tested the patience and there were some historical inaccuracies, which is a major concern.
  • Deepika Padukone steals the show. Her body language and emotions were fantastic and she deserves a big list of awards this year.
  • Ranveer Singh switched between Comic and Deadly moods through out the film. His acting reminded me of Jack Sparrow of Pirates of the Caribbean. Good show!
  • Shahid Kapoor's charming and well-groomed face made him look like the Rajput Prince rather than the King.
  • Jim Sarbh, Aditi Rao Hydari were perfect casting choices for the role of Malik Kafur and Mehrunisa respectively.
  • The Fortress of Chittor looked majestic and the interior designs were historically rich.The art direction team has done a great job.
  • Sudeep Chatterjee's camera angles were superb, especially in 'Ghoomar' song, Fight sequences and Mirror scene.
  • Background score elevated the film to a greater height. 'Ghoomar' song was filmed beautifully and 'Khalibali' was not necessary at all.
  • The action sequences were well directed, especially the scene, when Gora and Badal sacrifices their lives for Ratan Singh and Padmavati. Emotional and Stunner! 
  • Costume Designers added more beauty to the central characters of the film. They deserve a big round of applause.
  • The dialogues were well-scripted and sounded well in many places.
  • The climax was the best part of the film, which stands still in the heart.


Blurb: If errors are debugged, Padmaavat is the real goddess!!!




Plot

Sketch is a normal guy, who transforms over time, from a normal bike seizer to a killer. What changed him? Did he return to his normal life?
The movie answers these questions in a 138-minute action-packed thrilling ride.



Review

*No Spoilers*
  • Vijay Chander delivered a movie which is entirely different from his previous one, Vaalu.
  • Some messages can be said orally, either at the beginning or end of the movie. And, this is one such a message. But, the way he conveyed this social message through an engaging movie is appreciable one.
  • The dialogue delivery and the timing counter are the biggest strengths of the movie.
  • SS Thaman’s BGM is electrifying and a much needed spice for this action feast.
  • Vikram shoulders a heavy burden in this movie, a one-man show! He doesn’t look like a 50+ man at all. His romance, fight sequences, hanging around with friends remembered me of ‘Gemini’. Age is just a number for Vikram!
  • Tamannah played a cute role, which she played in ‘Vengai’ and ‘Kalloori’ earlier. But, this movie would find a spot in the list of movies, where Actress does not have an essential part!
  • The friends of Sketch, Set Ji, Police Inspector, Villains (especially ‘Royapuram’ Kumar) were the perfect choices for casting.
  • The romantic portions could have either lessen or avoided in this movie, which were the deliberate speed breakers in such a racing screenplay.
  • The songs sounded pleasant to the ears, especially ‘Kanave Kanave’ and ‘Vaanam Thoorammalae’, but the songs were unnecessary for the movie. It is good, if the crew of the film released the video songs separately, without including them in the movie.
  • The stunt sequences steered the movie in the top gear.
  • Every sketches sketched by Sketch were well-planned, especially the killing of ‘Royapuram’ Kumar.
  • The pulse-rate watch, vintage car of Villain, cigarette used by Sketch were some of the attention grabbing objects from the movie.
  • The climax twist was unpredictable and simply superb!
  • The crew cooked a usual dish in a different flavor.

Blurb: Vijay Chander’s Sketch is good, but looks partially executed!







Thaanaa Serndha Koottam is about a group of youngsters who have been marginalized by a society steep. TSK is a remake of the critically acclaimed 2013 Bollywood flick 'Special 26'.



  • The plot of this Comedy-Thriller movie is quite fitting in the present day circumstances. The story, coupled with director Vignesh Shivan artistically blending in the bells and whistles that makes a commercial film click, makes for a rather entertaining watch.
  • Suriya's sensational performance is the highlight of the movie. As Iniyan, Suriya has shown off his versatility, with his handling of comedy, action, romance and drama all one better than the other.
  • Also noteworthy is Ramya Krishnan's outstanding show, almost on par with Surya and clearly outperforming the female lead. While the portrayal of Sivagami Devi in Bahubali has gone down as her career defining role, the character of Jhansi Rani which Ramya plays in Thana Serntha Kootam at times brings back memories of her best acting from that Telugu blockbuster.
  • Meanwhile, Keerthi Suresh has done well to stay within her limitations and put in a solid showing as the leading lady.
  • Senthil gave a great comeback and the co-actors like Karthik, RJ Balaji, Nandha, Kalaiarasan and Thambi Ramaiah added more colors to this movie.
  • Anirudh Background score could have been better! Yet, 'Sodakku' scores.
  • The songs like 'Naana Thaana' and 'Peela Peela' were forcibly inserted into the movie.
  • Special Mention for Art Direction- Karaikal and Pollachi have both been picturised beautifully, and it looks like a constant carnival.The background sets, buildings and vintage cars shown in the film are all a testament to the attention to detail of the crew.
  • The climax of the film provides a line of thought that remains problematic in terms of solving the inherent corruption in the system. Clues are given through the movie about the hero’s solution to the problem, and I can’t help, but think that it would only lead to further disaster.

Blurb: TSK Pongal! Go for it..!



Suriya #37


We all know that the highly talented actor Suriya, after completing 'TSK', is all  set for his first collaboration with Selvaragavan #Suriya_36 produced by S.R.Prabhu.
And, there were rumors that Suriya might again collaborate with K.V.Anand, but, no official statement released till yesterday.

Yes,its official confirmed now..! Ayan-Maatrraan combo is back.
Suriya is again set to collaborate with K.V.Anand for #Suriya_37!
Earlier today, Suriya confirmed this news during 'Gang' movie promotions with Telugu media.

Stay connected  with us for more updates --> JoBatMovie_Update


And the Winners are...
JoBatMovie update feels honor-bound in presenting you, the winners of the JBM awards for 2017...

  • Best Movie

Aruvi
Aramm
Maanagaram
Theeran Adhigaaram Ondru
Vikram Vedha



  • Best Director

Lokesh Kanagaraj (Maanagaram)
Arun Prabhu (Aruvi)
Gopi Nainar (Aramm)
H.Vinoth (Theeran Adhigaaram Ondru)
Pushkar Gayathri (Vikram Vedha)


  • Best Actor

Vijay Sethupathi (Vikram Vedha)
Ajith Kumar (Vivegam)
Arun Vijay (Kuttram 23)
Madhavan (Vikram Vedha)
Vijay (Mersal)


  • Best Actress

Aditi Balan (Aruvi)
Andrea Jeremiah (Taramani / Aval / Thupparivaalan)
Madonna Sebastian (Pa Pandi / Kavan)
Nayanthara (Aramm / Dora / Velaikkaran)
Nithya Menon (Mersal)


  • Best Supporting Actor

M.S.Bhaskar (8 Thottakkal)
Bharathiraja (Kurangu Bommai)
Charle (Maanagaram)
Prasanna (Pa Pandi / Thupparivaalan)
SJ Surya (Spyder / Mersal)
Vivek (Meesaya Murukku)


  • Best Supporting Actress

Anisha Victor (Aval)
Akshara Haasan (Vivegam)
Anjali (Taramani)
Revathi (Pa Pandi)
Varalaxmi Sarathkumar (Vikram Vedha)


  • Best Music Director

AR Rahman (Kaatru Veliyidai / Mersal)
Anirudh Ravichandar (Vivegam / Velaikkaran)
Arrol Corelli (Thupparivaalan)
Ghibran (Aramm / Theeran Adhigaaram Ondru)
Yuvan Shankar Raja (Taramani / AAA / Balloon)


  • Best Cinematographer

Theni Eswar (Taramani)
GK Vishnu (Mersal)
P.S.Vinod (Vikram Vedha)
Ravi Varman ( Kaatru Veliyidai)
Sathyan Sooryan (Theeran Adhigaaram Ondru)


  • Best Editor

Ruben (Mersal / Vivegam / Aramm)
A.Sreekar Prasad (Taramani / Kaatru Veliyidai)
Philomin Raj (Maanagaram)
Prasanna GK (Pa Pandi / Maragadha Naanayam / Rangoon)
Raymond Derrick Crasta (Aruvi)


  • Best VFX

Theeran Adhigaaram Ondru
Aval
Balloon
Maragadha Naanayam
Vivegam


  • Best Screenplay

H.Vinoth (Theeran Adhigaaram Ondru)
Arivazhagan (Kuttram 23)
Lokesh Kanagaraj (Maanagaram)
Mysskin (Thupparivaalan)
Ram (Taramani)


  • Best Song

Aalaporaan Tamizhan (Mersal)
Azhagiye (Kaatru Veliyidai)
Surviva (Vivegam)
Yaanji (Vikram Vedha)
Yaaro Uchchikilai Melay (Taramani)



Special Prizes


  • Best Crew - Baahubali 2
Explanation: We didn't list Baahubali 2 in any category. Because, the entire crew of the film is responsible for making this movie a Magnum Opus and a pride of Indian Cinema. The record - breaking box office collection says so. Each and every individual deserves an award in every category, and hence, JoBatMovie update takes a big bow and feel proud to dedicate this award to the Baahubali crew!


  • Icon of the year - 'Hip Hop Tamizha' Aadhi
Explanation: Meesaya Murukku, his first directorial venture, in which, he played various roles like Actor, Director, Writer, Music Director, Narrator. The film is a biopic of his own musical journey. The film received positive reviews and a grand reception among Hip Hop Tamizha's fans. Excluding this movie, he composed music and sung for the film 'Kavan' and 'Kovai Gethu' anthem. His voice against 'Jallikattu Ban' was very loud and tremendous one. Congrats Aadhi! 



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